1 00:00:06,980 --> 00:00:03,710 this film I saw the Rhema name actually 2 00:00:09,680 --> 00:00:06,990 on UPN Network when I was I believe 13 3 00:00:12,589 --> 00:00:09,690 years old and it scared the living crap 4 00:00:14,990 --> 00:00:12,599 out of me I mean heck really copy into 5 00:00:18,140 --> 00:00:15,000 other markets of the abduction phenomena 6 00:00:20,300 --> 00:00:18,150 this sub-genre of studies that a lot of 7 00:00:23,179 --> 00:00:20,310 us researchers looking to and after 8 00:00:25,340 --> 00:00:23,189 seeing this film I was convinced that it 9 00:00:26,660 --> 00:00:25,350 was real that the McPherson tape is real 10 00:00:28,820 --> 00:00:26,670 that's what we're gonna be talking a lot 11 00:00:30,380 --> 00:00:28,830 about today so without further ado I 12 00:00:32,990 --> 00:00:30,390 want to bring out the director and 13 00:00:34,300 --> 00:00:33,000 creator of the McPherson take mr. Dean 14 00:00:40,119 --> 00:00:34,310 Alioto 15 00:00:44,360 --> 00:00:42,319 awesome guys thanks for joining us today 16 00:00:46,190 --> 00:00:44,370 mr. Irvin awesome of course so yeah 17 00:00:48,440 --> 00:00:46,200 we're gonna be talking about the process 18 00:00:51,110 --> 00:00:48,450 of filmmaking today specifically 19 00:00:53,540 --> 00:00:51,120 found-footage this is a type of film 20 00:00:57,799 --> 00:00:53,550 that isn't always easy I can only 21 00:01:01,040 --> 00:00:57,809 imagine it's it's it's it's a genre that 22 00:01:02,450 --> 00:01:01,050 I think is under escalating along in the 23 00:01:04,310 --> 00:01:02,460 film industry of how hard and 24 00:01:06,620 --> 00:01:04,320 challenging it actually is to make a 25 00:01:08,719 --> 00:01:06,630 found-footage mill and snow Dean and I 26 00:01:11,929 --> 00:01:08,729 kind of want to before we get into the 27 00:01:14,000 --> 00:01:11,939 make your certificates know the process 28 00:01:14,540 --> 00:01:14,010 of being one of the first people to come 29 00:01:17,180 --> 00:01:14,550 up 30 00:01:19,190 --> 00:01:17,190 this idea of a handheld camera I've 31 00:01:26,240 --> 00:01:19,200 found footage and from the perspective 32 00:01:27,980 --> 00:01:26,250 of the person filming today let me just 33 00:01:30,110 --> 00:01:27,990 say first and foremost I'm a filmmaker I 34 00:01:32,240 --> 00:01:30,120 kind of came into the genre as a 35 00:01:34,310 --> 00:01:32,250 secondary thing I like the way that life 36 00:01:36,770 --> 00:01:34,320 works out it turns out everything that's 37 00:01:38,330 --> 00:01:36,780 defined you know there's a plan a scheme 38 00:01:41,000 --> 00:01:38,340 going on that you're not always aware of 39 00:01:42,890 --> 00:01:41,010 and so as a kid I was always interested 40 00:01:45,860 --> 00:01:42,900 you have thoughts and opinions I will 41 00:01:47,630 --> 00:01:45,870 tell you that my father's can I have a 42 00:01:50,810 --> 00:01:47,640 lot of energy it was classified as 43 00:01:52,220 --> 00:01:50,820 hyperactive which we later discovered 44 00:01:55,340 --> 00:01:52,230 was tied with artificial flavors and 45 00:01:57,890 --> 00:01:55,350 colors her kid it's like speed some kids 46 00:01:59,810 --> 00:01:57,900 so is that way for me and my father my 47 00:02:01,610 --> 00:01:59,820 father's doctor who gave me Ritalin I 48 00:02:04,880 --> 00:02:01,620 was on ten milligrams of red light which 49 00:02:08,389 --> 00:02:04,890 is the normal dosage and that wasn't 50 00:02:11,660 --> 00:02:08,399 enough so they doubled it it's not on 20 51 00:02:14,030 --> 00:02:11,670 milligrams still wasn't enough 30 52 00:02:15,650 --> 00:02:14,040 milligrams of Ritalin and so the 53 00:02:18,170 --> 00:02:15,660 affected hands during the day I was 54 00:02:21,770 --> 00:02:18,180 literally the walking dead and then at 55 00:02:23,960 --> 00:02:21,780 night it wears off what happens then 56 00:02:25,970 --> 00:02:23,970 as you are about them and so then it 57 00:02:27,590 --> 00:02:25,980 becomes like when you're in your 20s or 58 00:02:30,380 --> 00:02:27,600 whatever you need to do her limits like 59 00:02:32,390 --> 00:02:30,390 this energy thing so light would stay up 60 00:02:34,490 --> 00:02:32,400 and I would watch the Jerry Lewis 61 00:02:35,660 --> 00:02:34,500 telethon all the way through I would 62 00:02:38,060 --> 00:02:35,670 watch the Outer Limits 63 00:02:39,710 --> 00:02:38,070 I would watch any kind of crazy sci-fi 64 00:02:41,510 --> 00:02:39,720 stuff like that my hands on and on this 65 00:02:43,790 --> 00:02:41,520 is in Sacramento and I remember looking 66 00:02:46,300 --> 00:02:43,800 out the window and seeing all the stars 67 00:02:49,480 --> 00:02:46,310 and I kept being drawn to them 68 00:02:51,550 --> 00:02:49,490 I know I was because my parents force 69 00:02:53,290 --> 00:02:51,560 that I was separated from my older and 70 00:02:57,070 --> 00:02:53,300 younger brother or mother the Bay Area 71 00:02:59,290 --> 00:02:57,080 but it kind of made me look beyond my 72 00:03:01,930 --> 00:02:59,300 own life at the time everyone knew that 73 00:03:03,400 --> 00:03:01,940 my mother comes later she got me on 74 00:03:05,050 --> 00:03:03,410 seeing all the final diet which was 75 00:03:07,050 --> 00:03:05,060 right there removing all artificial 76 00:03:11,020 --> 00:03:07,060 flavors of colors and then I was like 77 00:03:13,960 --> 00:03:11,030 and everything just kind of stuck with 78 00:03:17,170 --> 00:03:13,970 me the UFOs and aliens in search of 79 00:03:19,930 --> 00:03:17,180 really affected me Loch Ness monster 80 00:03:22,390 --> 00:03:19,940 always into that and then when I decided 81 00:03:26,740 --> 00:03:22,400 that I want to become a filmmaker it was 82 00:03:28,630 --> 00:03:26,750 after I saw et that film for me like 83 00:03:29,470 --> 00:03:28,640 Close Encounters was this spiritual 84 00:03:33,009 --> 00:03:29,480 experience 85 00:03:35,740 --> 00:03:33,019 which transcended the 1950s for a sci-fi 86 00:03:37,840 --> 00:03:35,750 version of aliens and stuff it was this 87 00:03:39,610 --> 00:03:37,850 community spoke to me because my parents 88 00:03:42,100 --> 00:03:39,620 were divorced I was the best elemental 89 00:03:43,960 --> 00:03:42,110 child and I was dreaming of alien so it 90 00:03:46,090 --> 00:03:43,970 was kinda like my story in the way so I 91 00:03:47,680 --> 00:03:46,100 came home and told my mom I know what I 92 00:03:50,199 --> 00:03:47,690 don't know you film in there that's it 93 00:03:52,780 --> 00:03:50,209 and so from there I put myself on this 94 00:03:57,120 --> 00:03:52,790 journey and then right before I turned 95 00:03:59,710 --> 00:03:57,130 25 Canada Senate because when they're 25 96 00:04:02,620 --> 00:03:59,720 that's where all of my idols have made 97 00:04:05,500 --> 00:04:02,630 their first feature film before Steven 98 00:04:07,120 --> 00:04:05,510 Spielberg works for Suzy Orson Welles or 99 00:04:07,490 --> 00:04:07,130 Mason's a king the greatest movie of all 100 00:04:09,560 --> 00:04:07,500 time 101 00:04:11,840 --> 00:04:09,570 and the clock was running down by way of 102 00:04:13,730 --> 00:04:11,850 the self-imposed Edelman and I thought I 103 00:04:15,460 --> 00:04:13,740 need to make my film and I want to but 104 00:04:18,259 --> 00:04:15,470 if I don't want to be a producer and he 105 00:04:19,849 --> 00:04:18,269 said let's produce doing with a great 106 00:04:24,050 --> 00:04:19,859 how much in anything he says 107 00:04:25,790 --> 00:04:24,060 I got sixty five hundred bucks so I said 108 00:04:27,890 --> 00:04:25,800 okay I could get a home video for that 109 00:04:30,140 --> 00:04:27,900 dude I don't know what to do with it and 110 00:04:33,650 --> 00:04:30,150 the next day I came across a book called 111 00:04:35,630 --> 00:04:33,660 communion and I read the book and it 112 00:04:37,970 --> 00:04:35,640 scared the crap out of me and I've been 113 00:04:40,550 --> 00:04:37,980 a Stephen King fan and Pet Sematary was 114 00:04:43,900 --> 00:04:40,560 my most terrifying apartment rent and 115 00:04:46,520 --> 00:04:43,910 this like trumped at all I ended up 116 00:04:48,680 --> 00:04:46,530 being inspired by that something that 117 00:04:51,470 --> 00:04:48,690 they are it was flying the next day to 118 00:04:52,820 --> 00:04:51,480 Los Angeles to pitch this project and I 119 00:04:55,900 --> 00:04:52,830 looked at the window I thought what if 120 00:04:58,940 --> 00:04:55,910 this was the last time I was seen and 121 00:05:01,010 --> 00:04:58,950 then it hit what if I do a home video 122 00:05:02,810 --> 00:05:01,020 but I do it were something hopefully 123 00:05:03,380 --> 00:05:02,820 interesting happens and then I came up 124 00:05:05,960 --> 00:05:03,390 with me 125 00:05:08,180 --> 00:05:05,970 genesis an idea which was it's going to 126 00:05:10,940 --> 00:05:08,190 be a home video of a family up in the 127 00:05:13,250 --> 00:05:10,950 hills celebrated with the five year old 128 00:05:14,600 --> 00:05:13,260 girl's birthday party and I'll shoot it 129 00:05:17,090 --> 00:05:14,610 through the perspective of a six year 130 00:05:17,790 --> 00:05:17,100 old kid who just got his first video 131 00:05:21,270 --> 00:05:17,800 camera 132 00:05:23,909 --> 00:05:21,280 and this is 1989 it'll take place in 133 00:05:24,270 --> 00:05:23,919 1983 so this tape has been around for a 134 00:05:27,360 --> 00:05:24,280 while 135 00:05:29,339 --> 00:05:27,370 and I went to heaven and hit on that the 136 00:05:33,800 --> 00:05:29,349 producer said yeah let's go for it and 137 00:05:50,730 --> 00:05:46,830 fantastic for this as well is what 138 00:05:52,200 --> 00:05:50,740 happened with this film after in it it 139 00:05:54,719 --> 00:05:52,210 came out there was a really interesting 140 00:05:57,510 --> 00:05:54,729 story about how it sort of made its way 141 00:05:58,620 --> 00:05:57,520 into the UFO community but before we get 142 00:06:01,830 --> 00:05:58,630 to that you got to tell us the story 143 00:06:03,719 --> 00:06:01,840 about what happened after you completed 144 00:06:05,100 --> 00:06:03,729 the film you know you found a 145 00:06:10,559 --> 00:06:05,110 distributor that was going to put this 146 00:06:12,240 --> 00:06:10,569 thing up and then tell us we just filmed 147 00:06:31,320 --> 00:06:12,250 one night we use other professional 148 00:06:33,839 --> 00:06:31,330 actors I played the kid because I was 149 00:06:35,550 --> 00:06:33,849 cheating and I was kind of headset on 150 00:06:43,080 --> 00:06:35,560 I'm cueing all the Hades as we're going 151 00:06:46,680 --> 00:06:43,090 along so i cue the aliens and so we did 152 00:06:50,399 --> 00:06:46,690 it was kind of this thing together we 153 00:06:52,499 --> 00:06:50,409 made it and then we went up to set and 154 00:06:54,450 --> 00:06:52,509 we actually sold to the last distributor 155 00:06:57,779 --> 00:06:54,460 everyone else looked at us one gunman 156 00:06:59,850 --> 00:06:57,789 through his car keys at me and said you 157 00:07:01,529 --> 00:06:59,860 know kid don't come back do you actually 158 00:07:04,320 --> 00:07:01,539 have a real movie don't show this crap 159 00:07:07,370 --> 00:07:04,330 waste my time again this is before which 160 00:07:10,589 --> 00:07:07,380 of those no reference so got it was a 161 00:07:13,649 --> 00:07:10,599 distribution deal so we thought that we 162 00:07:15,600 --> 00:07:13,659 indeed we want and that a month later I 163 00:07:19,860 --> 00:07:15,610 call them I say hey how many units every 164 00:07:22,339 --> 00:07:19,870 so I said oh okay you didn't hear the 165 00:07:27,930 --> 00:07:22,349 distribution company parted the ground 166 00:07:35,730 --> 00:07:27,940 so we lost our master and Oliver and so 167 00:07:38,189 --> 00:07:35,740 like ways well happens so moved on